I am not a
huge fan of music compilations. To me “best ofs” or “greatest hits” are often not
true representations of an artist’s back catalogue and I find they tend to
gloss over a lot of the lesser known and often obscure material that you can
find when exploring the original studio releases. However I found myself being pleasantly
surprised on listening to this particular compilation of Brazilian bossa nova
music.
Bossa Nova and the Rise of Brazilian
Music in the 1960s is
a two disc compilation of early bossa nova music, a style of music which fused
together jazz and samba and that emerged in Brazil in the 1950s. Released on
the Soul Jazz Records label, a British label which specialises in releasing
mainly compilations of non-western styles of music such as reggae, Latin, and
Afro-Cuban, this brilliant compilation offers a good introduction to the
origins of bossa nova not just in sound but also visually and historically. The
CD package comes with a published booklet complete with some amazing
photographs and a well written history of the rise of bossa nova and its social
significance in Brazil at the time. As someone who knows very little about
original bossa nova but whom is a big fan of the fusion bossa nova that Stan
Getz recorded in the early 60s, on reading this booklet I quickly became aware
that bossa nova was more than just music and in many ways represented an age of
developing modernism and idealism in Brazilian society during the late 50s and
early 60s, particularly amongst the youth of the country. Bossa nova was seen
to represent everything modern, sophisticated and cool in Brazil at the time
and became associated with urbanisation, apartment living and consumer
lifestyles. Not something you usually associate with traditional non-western
styles of music, but certainly in describing the wider cultural significance of
bossa nova it makes you think how cool it would have been to be there at the
time.
In terms of
the music itself, one of the good things about not knowing most of the artists
on here – I was familiar with Sergio Mendes, as well as Joao Gilberto is that I
had no pre-conceived expectations of what the music was going to be like, or of
the artists themselves. Therefore I could just relax and enjoy the music for
what it was as I went through the thirty-four tracks, a good number when a
compilation is dealing with an entire genre. The tracks are a mixture of lively
fiesta numbers, as well as the more rhythmic jazzier instrumentals and I must
say all and all I wasn’t disappointed as I was taken through a broad sweep of
the more popular people in bossa nova of the day. Just some of the artists
whose sounds I was attracted to more included Elis Regina, Baden Powell and
Vinicius de Moraes, Dom Um Romao, and finally Tama Trio but with this said I
couldn’t pick a favourite as there was just so much which appealed.
In an ideal
world compilations should be designed and packaged to introduce people to the
artist or music in question and therefore should offer a broad sample of music
which is representative of the entire body of work. Bossa Nova and the Rise of Brazilian Music in the 1960s does a very
good job at this and doesn’t just focus on a small section of the performers
who were around during the early stages of bossa nova. The fact the music was
also accompanied by a very well presented companion to the period and the music
itself made it that much better to. Bossa
Nova and the Rise of Brazilian Music in the 1960s I feel is a true
representation of early bossa nova and is a good one at that, making it one of
the better compilations I have listened to.
A-
- Sam
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