Sunday 27 September 2015

Genre of the Week 4: Britpop



#GenreoftheWeek Britpop 

This week has been Britpop week at Nowhere Bros. I have been posting daily about Britpop, its history, its artists and its legacy. 

Below is a list of the songs I posted. Although it is not a definitive playlist, it is a starting point for getting into Britpop, or re-familiarizing yourself with Britpop, twenty years on. There are of course plenty more tracks out there as well. 

It has been a wonderful week posting about Britpop, and indeed reminiscing about the music of my youth. Karl is back this coming week with a new genre. Should be good... see you in a week. 

Check us out and like our page on Facebook. www.facebook.com/nowherebros

I have also created a Spotify Playlist for this weeks genre as well. Spotify/Britpop


Nowhere Bros Britpop Week Playlist 

The Smiths – “This Charming Man” (Single, 1984)

The Smiths – “Panic” (Single, 1986)

Jesus and Mary Chain – “Darklands” (Darklands, 1987)

Stone Roses – “She Bangs the Drums” (Stone Roses, 1989)

Stone Roses – “I Am The Resurrection” (Stone Roses, 1989)

The La’s – “There She Goes” (The La’s, 1990)

The La’s – “Timeless Melody” (The La’s, 1990)

Inspiral Carpets – “This Is How It Feels (Life, 1990)

Happy Mondays – “Step On” (Pills ‘n’ Thrills and Bellyaches, 1990)

Blur – “There’s No Other Way” (Leisure, 1991)

My Bloody Valentine – “Only Shallow” (Loveless, 1991)

Primal Scream – “Loaded’ (Screamadelica, 1991)

Massive Attack – “Be Thankful For What You’ve Got” (Blue Lines, 1991)

Ride – “Leave Them All Behind” (Going Blank Again, 1992)

Paul Weller – “Sunflower” (Wild Wood, 1993)

Suede – “Animal Nitrate” (Suede, 1993)

Suede – “The Drowners” (Suede, 1993)

Blur – “Chemical World” (Modern Life Is Rubbish, 1993)

Blsur – “For Tomorrow” (Modern Life Is Rubbish, 1993)

Portishead – “Roads” (Dummy, 1994)

Oasis – “Supersonic” (Definitely Maybe, 1994)

Oasis – “Liver Forever” (Definitely Maybe, 1994)

Blur – “Parklife” (Parklife, 1994)

Blur – “End Of A Century” (Parklife, 1994)

Paul Weller – “The Changingman” (Stanley Road, 1995)

Oasis – “Morning Glory” (What’s the Story Morning Glory, 1995)

Oasis – “Roll With It” (What’s the Story Morning Glory, 1995)

Oasis – “Don’t Look Back in Anger” (What’s the Story Morning Glory, 1995)

Oasis – “Champagne Supernova” (What’s the Story Morning Glory, 1995)

Blur – “Stereotypes” (The Great Escape, 1995)

Blur – “It Could Be You” (The Great Escape, 1995)

Blur – “Country House” (The Great Escape, 1995)

Pulp – “Common People” (Different Class, 1995)

Supergrass – “Alright” (I Should Coco, 1995)

Radiohead – “Just” (The Bends, 1995)

Echobelly – “Great Things” (On, 1995)

Boo Radleys – “Wake Up Boo!” (Wake Up!, 1995)

Elastica – “Waking Up” (Elastica, 1995)

Suede – “Trash” (Coming Up, 1996)

Super Furry Animals – “Something for the Weekend” (Fuzzy Logic, 1996)

Manic Street Preachers – “A Design For Life” (Everything Must Go, 1996)

The Verve – “Bitter Sweet Symphony” (Urban Hymns, 1997)

Oasis – “The Girl In The Dirty Shirt” (Be Here Now, 1997)

Radiohead – “Paranoid Android” (OK Computer, 1997)

Travis – “Why Does It Always Rain On Me?” (The Man Who, 1999)

Coldplay – “Yellow” (Parachutes, 2000)

The Libertines – “Vertigo” (Up the Bracket, 2002)

Franz Ferdinand – ‘Take Me Out” (Franz Ferdinand, 2004)

Gorillaz – “Every Planet We Reach is Dead” (Demon Days, 2005)

Oasis – “Lyla” (Don’t Believe the Truth, 2005)

Arctic Monkeys – “I Bet You Look Good On The Dance Floor” (Whatever People Say I Am, That’s What I’m Not, 2006)

Noel Gallagher’s High Flying Birds - “Do The Damage” (Chasing Yesterday, 2015)

Blur – “Ghost Ship” (The Magic Whip, 2015)

- Sam 

Thursday 24 September 2015

Auckland Live Music Puzzle - (2015)

Well it was announced today that an Auckland version of Austin City Limits is coming to Western Springs Stadium in March next year. This is good news, as this sort of “mainstream” music festival is one of the few pieces in the Auckland live music puzzle left to be filled. The Big Day Out needed a replacement and this might just do the trick for now. As yet no lineup has been announced, but based on the lineup from the Austin event this year, the chances are it will be a banger.

The Auckland live music jigsaw puzzle seems to be filling in. Laneway is back next year for the more alternative music crowd, while there are other niche events such as Soul Fest, Ragamuffin, Northern Bass and Splore to cater for various music tastes and crowds. Vector Arena for all its sound problems continues to attract the big name international acts, and there are always a good range of acts from oversees playing there each year. The Powerstation, and more attractive venues such as the Town Hall and St James are also very suitable for smaller crowds. On a side not it is great that the St James has some gigs coming up in the form of Father John Misty and Unknown Mortal Orchestra.


There are however, two pieces of the puzzle which to me still need filling. Firstly, Mount Smart Stadium is not a suitable music venue, it is quite frankly a ghastly venue for large scale concerts. It is hard to get out of and aesthetically is not attractive, or comfortable. The sooner all large-scale outdoor concerts are held at Western Springs the better, hey, even North Harbour Stadium is a better bet than Mount Smart. I also feel Auckland needs an indoor mid-range size venue for around the 5000-6000 type-crowds, and preferably with better acoustics than Vector Arena. Other than that, the Auckland live music puzzle is looking quite good from my perspective, with a bit of everything for everyone. Long may it continue. 

Sam 

Sunday 20 September 2015

Genre of the Week 3: Power Pop


#GenreoftheWeek Power Pop

Here's the list of songs that I've been posting this week on the facebook page for this week's genre, Power Pop! Beware, these may cause you to involuntarily sing along, there are catchy hooks everywhere. There's also the youtube playlist and even a spotify playlist that I lovingly crafted for y'all.


































Whew. That's a formidable list. Sam will be taking over again with a new genre tomorrow, I'm eager to see what he's going to focus on. Until next time...

- Karl


Saturday 19 September 2015

The Libertines - Anthems for Doomed Youth (2015)


The fact the Libertines have reunited to do some shows is not a surprise. Bands are reuniting all the time, this is not unusual in this day and age. What is a surprise, however, is the fact they have recorded an album, eleven years after their last one in 2004. The Libertines continue to pulverize opinion, you either love them or you hate them. Those that dislike them remember the very public relationship difficulties between Pete Doherty and Carl Barat, as well as Doherty’s very well publicized drug problems. There are also those who think their music is to one-dimensional and dare I say it boring. At the same time, they are well-loved British indie darlings, particularly by the music press. They were a band who took indie out of the 90s and brought it down a peg back to the level of the people, this after the heights of Britpop. So the fact they reconvened in Thailand of all places to record new music caught some people unawares, but has made this reunion just that more interesting in the knowledge that new music would follow also suit.

The album is titled “Anthems for Doomed Youth”, a title which in itself is perhaps more relevant than ever for a majority of today’s youth who are struggling in a firmly entrenched neo-liberal society. In terms of the word anthems, well, the Libertines are good at producing rousing anthemic indie rockers. You just have to look back at some of the songs off their first two albums to see this. But ten years after their last record, what would the 2014 Libertines sound like? Would the new tracks stand up and are new audiences ready for the rousing and very personal anthems that the Libertines are known for? Well, after several listens to this album, I would say yes. The likely lads are back and perhaps they are better than ever.

The album kicks off with “Barbarians”. This is classic Libertines with very catchy vocals, and Barat and Doherty harmonizing in the choruses. This track also has quite a Pulp-like sound to it, which in itself is quite interesting. Next is the reggae-sounding “Gunja Din”. This was the first track that was released and is very unlike the Libertines in sound. Was it the Thai surrounds that made them go down a reggae path? Or were they just caught up in a desire to experiment? Either way it sounds good and it shows there is more to this band than just straight out indie rock. “Fame and Fortune” is a very British pop track with nods to the Kinks and Blur, Camden and London, while “Anthem for Doomed Youth” is a rousing ballad that I can just see thousands of people sticking their cigarette lighters in the air to. Side one then ends with an old track “You’re My Waterloo” and the bouncing rocker “Belly of the Beast”.

The second half of the album kicks off with “Iceman”, a great track that sounds like it could have come from a mid-90s Blur album. This is followed by one of the stand out tracks on the album “Heart of the Mattter”, which is sure to get pubs, clubs and festival crowds singing in unison. A couple of weaker tracks then emerge in the form of “Fury of Chonburi” and “The Milkman’s Horse”, but luckily things pick up again with the fantastic “Glasgow Coma Scale Blues”. Boy this is a great track full of driving guitars, great vocals and a brilliant chorus. The album then ends with “Dead For Love”, another softer ballad, something the Libertines are not known for, but which appear quite a bit on this album. Along with the main album, the deluxe edition contains some fantastic bonus tracks which are also worth checking out. “Love on the Dole”, “Bucket Shop”, “Lust of the Libertines” and “7 Deadily Sins” keep in line with the quality found on the album and only serve to extend the idea that the Libertines have come back with a bang on “Anthems for Doomed Youth”.


So in summing up, my thoughts on “Anthems for Doomed Youth” is that it is a great return for the Libertines who many thought were done as a recording act and would fade away into indie history. They seem to have matured as a recording act and their songs seem more crafted and melodic than a lot of their earlier work. The classic Libertines sound is still there in the form of great harmonizing and the ever-present minor chords (are they ever not playing in a minor key?), but at the same time they have shown a willingness to experiment with other styles and not simply just sit and attempt to re-invent the past. The band have been touring and playing festivals and by all accounts aside from one incident before a show where Pete Doherty had an anxiety attack, everything has gone smoothly and they have been well received by audiences. Where to now is any ones guess, as previous history with this band suggests anything is possible both good and bad. But if this is the final Libertines album, it does hold up well musically, and would be a fitting way for the boys in this band to go out on. 

A-

Sam 

Sunday 13 September 2015

Genre of the Week 2: Funk


#GenreoftheWeek Funk 

This week has been funk week at Nowhere Bros. I have been posting daily about funk, its history, its artists and its legacy. 

Below is a list of the songs I posted. Most of these are classic funk tracks, while there are also a few songs that were directly, or indirectly inspired by funk. Although not a definitive playlist, this list is a starting point for getting into funk, or re-familiarizing yourself with this wonderful genre. There are of course plenty more tracks out there for you to get your funk on to as well. 

It has been a wonderful week posting about funk, Karl is back next week with a new genre. In the mean time, enjoy the funk...

Check out and like the Facebook page - NowhereBros 

There is also a Spotify playlist of this weeks tracks as well. - Spotify

You can also get these songs on - YouTube


Nowhere Bros Funk Week Playlist 


James Brown - "I Got You (I Feel Good)" (I Got You (I Feel Good), 1966)

James Brown - "Cold Sweat" (Cold Sweat, 1967)

The Meters - "Cissy Strut" (The Meters, 1969)

Sly & The Family Stone - "Thank You (Falettinme Be Mice Elf Again" (Greatest Hits, 1969)

Funkadelic - "I Got a Thing, You Got a Thing, Everybody's Got a Thing" (Funkadelic, 1970)

James Brown - "Funky Drummer" (In the Jungle Groove, 1970)

Curtis Mayfield - "(Don't Worry) If There's a Hell Below We're All Going to Go" ( Curtis, 1970)

James Brown - "Get Up (I Feel Like Being Like a Sex Machine" (Single, 1970)

Sly & The Family Stone - "Luv N' Haight" (There's a Riot Goin' On, 1971)

Baby Huey - "Listen to Me" (The Baby Huey Story: The Living Legend, 1971)

Black Heat - "The Jungle" (Black Heat, 1972)

Stevie Wonder - 'Love Having You Around" (Music of My Mind, 1972)

Stevie Wonder - "Superstition" (Talking Book, 1972)

Curtis Mayfield - "Superfly" (Superfly, 1972)

The Isley Brothers - "Who's That Lady" (3 + 3, 1973)

Herbie Hancock - "Chameleon" (Head Hunters, 1973) 

Led Zeppelin - "The Crunge" (Houses of the Holy, 1973)

The Meters - "It Ain't No Use" (Rejuvenation, 1974)

The Meters - "What'cha Say" (Rejuvenation, 1974)

The Meters - "Just Kissed My Baby" (Rejuvenation, 1974)

Funkadelic - "Standing on the Verge of Getting it On" (Standing on the Verge of Getting it On, 1974)

Funkadelic - "Red Hot Mama" (Standing on the Verge of Getting it On, 1974)

Funkadelic - "Get Off Your Ass And Jam" (Let's Take It to the Stage, 1975)

Parliament - "Give Up The Funk" " (Mothership Connection, 1975)

Parliament - "Unfunky UFO" (Mothership Connection, 1975)

David Bowie - "Fame" (Young Americans, 1975)

Roy Ayers - "Liquid Love" (Virgin Ubiquity II: Unreleased Recordings 1976-1981, 2005)

Fela Kuti - "Zombie" (Zombie, 1976)

Parliament - "Flashlight" (Funkentelechy vs. the Placebo Syndrome, 1977)

The Controllers - "I Can't Turn the Boogie Loose" (Next in Line, 1979)

Earth, Wind  Fire - "Star" (I Am, 1979)

Chic - "Good Times" (Risque', 1979)

Kool & the Gang - "Get Down on It" (Something Special, 1981)

Rick James - "Give It To Me Baby" (Street Songs, 1981)

Prince - "Controversy" (Controversy, 1981)

Luther Vandross - "Never Too Much" (Luther Vandross, 1981)

Michael Jackson - "Wanna Be Startin' Something" (Thriller, 1982)

Queen - "Cool Cat" (Hot Space, 1982)

De La Soul - "Eye Know" (3 Feet High and Rising, 1989)

NWA - "Niggaz 4 Life" (Niggaz4Life, 1991)

Red Hot Chili Peppers - "Give It Away" (Blood Sugar Sex Magik, 1991)

The Notorius B.I.G. - "Big Poppa" (Ready to Die, 1994)

El Michel's Affair - "Detroit Twice" (Sounding Out the City, 2005)

Sharon Jones & The Dap-Kings - "How Do I Let A Good Man Down" (Naturally, 2005)

The Black Seeds - "Afrophone" (Solid Ground, 2008)

Fat Freddy's Drop - "Mother Mother" (Blackbird, 2013)

Daft Punk - "Get Lucky" (Random Access Memories, 2013)

Tame Impala - "The Less I Know The Better" (Currents, 2015)

Unknown Mortal Orchestra - "Necessary Evil" (Multi-Love, 2015)

- Sam 


















Thursday 10 September 2015

The Arcs - Yours, Dreamily - 2015


Dan Auerbach is quite an interesting guy. When he is not fronting one of the biggest bands on the planet the Black Keys, he is producing for other artists, recording with hip hop artists, and now he is releasing the first album under his new side project the Arcs, “Yours, Dreamily”.

Music fans have had a taste of the likely sound of this album for a while, with pre-released tracks “Stay in My Corner”, “Put a Flower in Your Pocket”, and “Outta My Mind”. And, right from the get go these tracks hinted at a swirling blusey/soulful record to come. But, has the actual album delivered on the early promise of those tracks?

Well, overall, I would say yes. In terms of the “new’ tracks which were not put out into the music sphere pre-release, most of them do stack up and see Auerbach and his band, a band that includes the very talented Lee Michels from El Michel’s Affair and Truth & Soul Records on drums exploring different blusey, psychedelic and soulful sounds. Although similar in nature to recent Black Key’s records such as “Brothers” and “Turn Blue”, there is still a lot going on in these new bunch of tracks that shows Auerbach is willing to experiment with what is quickly becoming his stock-standard mix of soul, blues and psychedelia.

“Pistol Made of Bones” is a southern stomper complete with horns, a barking dog and plenty of swagger, while on “Cold Companion”, Auerbach heads into what I would describe as progressive blues territory, with the backing vocals sounding very 70's progressive rock-like. I say that in a good way of course. “The Arc” is a grungy blues rocker, not to dissimilar to the material seen on Auerbach’s debut solo album. And, although not as good as some of the more psychedelic moments on “Yours, Dreamily”, it does its job as the sort of token stadium rocker track on the album nicely. On “Nature’s Child”, Auerbach and the band have a John Lennon moment circa early-70's, which is pleasant enough without being amazing, while “Velvet Ditch” has a smooth, contemporary R&B feel to it, as well as featuring two funky sax and guitar solos. The album then moves to its finale with one of the standout tracks “Chains of Love”, which has some stellar female backing vocals and an infectious rhythmic groove to boot. A great track, and very different to Auerbach’s more traditional material. The album then winds down with tracks such as the simplistically sweet R&B of “Rosie (Ooh la la)”, and album closer “Searching the Blue” which is a very nice Stax-sounding soul ballad.


On the whole, this is not unusual territory for Auerbach, but at the same time this is definitely not a Black Keys replica album by any stretch. The added presence of other musicians I would say gave the tracks more groove, and allowed Auerbach to play around more with different textures and rhythms. Something he might be more limited to with the Black Keys. On listening to this album you can certainly hear Auerbach playing with new sounds and musical ideas, and “Yours, Dreamily”, all in all really is a very solid contemporary, but at the same time authentic soul record. Well worth a listen I would say. 

B+

- Sam 

Sunday 6 September 2015

Genre of the Week 1: Synthpop


#GenreoftheWeek Synthpop

Over the past week on the facebook page I've been posting about Synthpop to kick off the first week in our new feature genre of the week. The above image contains the artists and albums of the songs I've been posting, and should really just be seen as a starting point for listening, by no means a definitive list. Here's a list of all the songs I've posted. Any of these would be a great addition to an 80s party playlist, and are guaranteed to inspire twitchy, robotic dancing (or maybe that's just me)

Kraftwerk - "Das Modell" (Die Mensch-Maschine, 1978)

Yellow Magic Orchestra - "Firecracker" (Yellow Magic Orchestra, 1978)


Yellow Magic Orchestra - "Rydeen" (Solid State Survivor, 1979)

Gary Numan - "Cars" (The Pleasure Principle, 1979)

Orchestral Manoeuvres in the Dark - "Electricity" (Orchestral Manoeuvres in the Dark, 1979)

Soft Cell - "Tainted Love" (Non-Stop Erotic Cabaret, 1981)


Depeche Mode - "New Life" (Speak & Spell, 1981)

Yazoo - "Don't Go" (Upstairs at Eric's, 1982)

New Order - "Blue Monday" (Blue Monday/Power, Corruption & Lies, 1983)*

Eurythmics - "Sweet Dreams (Are Made of This)" (Sweet Dreams (Are Made of This), 1983)

Talk Talk - "It's My Life" (It's My Life, 1984)


a-ha - "Take On Me" (Hunting High and Low, 1984)

New Order - "Bizarre Love Triangle" (Bizarre Love Triangle/Low-Life, 1986)*



The Knife - "Heartbeats" (Deep Cuts, 2002)



*Neither of these singles were released on an LP so I've instead suggested albums which were released around the same time and contain equally great synthpop songs.

Be sure to also check out the youtube and spotify playlists which contain these songs as well as a few extras.

If you want to request a genre for us to focus on, leave a comment here or on the facebook page. Next week Sam will take the helm, so look forward to that! 

-Karl