Showing posts with label 1980s. Show all posts
Showing posts with label 1980s. Show all posts

Sunday, 6 September 2015

Genre of the Week 1: Synthpop


#GenreoftheWeek Synthpop

Over the past week on the facebook page I've been posting about Synthpop to kick off the first week in our new feature genre of the week. The above image contains the artists and albums of the songs I've been posting, and should really just be seen as a starting point for listening, by no means a definitive list. Here's a list of all the songs I've posted. Any of these would be a great addition to an 80s party playlist, and are guaranteed to inspire twitchy, robotic dancing (or maybe that's just me)

Kraftwerk - "Das Modell" (Die Mensch-Maschine, 1978)

Yellow Magic Orchestra - "Firecracker" (Yellow Magic Orchestra, 1978)


Yellow Magic Orchestra - "Rydeen" (Solid State Survivor, 1979)

Gary Numan - "Cars" (The Pleasure Principle, 1979)

Orchestral Manoeuvres in the Dark - "Electricity" (Orchestral Manoeuvres in the Dark, 1979)

Soft Cell - "Tainted Love" (Non-Stop Erotic Cabaret, 1981)


Depeche Mode - "New Life" (Speak & Spell, 1981)

Yazoo - "Don't Go" (Upstairs at Eric's, 1982)

New Order - "Blue Monday" (Blue Monday/Power, Corruption & Lies, 1983)*

Eurythmics - "Sweet Dreams (Are Made of This)" (Sweet Dreams (Are Made of This), 1983)

Talk Talk - "It's My Life" (It's My Life, 1984)


a-ha - "Take On Me" (Hunting High and Low, 1984)

New Order - "Bizarre Love Triangle" (Bizarre Love Triangle/Low-Life, 1986)*



The Knife - "Heartbeats" (Deep Cuts, 2002)



*Neither of these singles were released on an LP so I've instead suggested albums which were released around the same time and contain equally great synthpop songs.

Be sure to also check out the youtube and spotify playlists which contain these songs as well as a few extras.

If you want to request a genre for us to focus on, leave a comment here or on the facebook page. Next week Sam will take the helm, so look forward to that! 

-Karl

Sunday, 21 June 2015

The Favorites Series: Blog 1 - "The 1980's"

This is the first blog post in a new series that I will do for the blog looking at some of my favorite albums from different decades, genres, periods of music, etc. At the same time, I will attempt to pick albums which often get overlooked in the best of the decade lists, or best of all time lists, I guess just because some of my favorites will be all too obvious from each period, or theme I focus on.  

Post One: The 1980's
Yeah so I was born in the 80's, the late-80's if you must know and I am proud of it. And, although many people are quick to turn their noses up at the decade for its fashion, and for its politics, there was some great music produced and indeed some great albums.

So here are some of my favorites from the decade

The Clash – Sandinista – 1980
This album is an eclectic mix of all different styles, from hip hop to new wave to reggae to dub. It has everything, and amazingly is a triple album, something that is quite ambitious for most music acts, let alone a punk band. The Clash were at their very best during this period both musically and stylistically and this album catches this fact in a big way.

Key tracks – Hitsville UK, Lose This Skin, The Magnificent Seven.

The Jam – Sound Affects – 1980
This is pop art set to music and is also the moment where The Jam came full circle musically. There’s funk influences emerging on this album, with Off the Wall a definite influence, while the Beatles homage is still there. This is The Jam’s Revolver, with Weller’s lyrics also exploring more the state of British society as Thatcher settled into no.9.

Key tracks – Pretty Green, Set The House Ablaze, Start.

Queen - Hot Space – 1982
This album has been panned by everyone, while the surviving members of Queen paint it as being a blip on their radar and a “Freddie creation” mainly. It is this universal hatred of an album that explores disco, funk and new wave which makes me like it even more. In comparison to some of Queen’s other 80's releases which to me are quite dull in places, this album stacks up and is definitely of its time. Hot Space also happens to be the one genuine Queen album you can really dance to. To be fair, I have never quite understood why it is so hated as an album.

Key tracks – Staying Power, Back Chat, Cool Cat.

Dexys Midnight Runners – Searching for the Young Soul Rebels – 1982
Soul had begun to go out of fashion by the 80's and in the States it was meshing into modern R&B with mixed results. Here though, the Dexys produce a raw sounding, proper soul record complete with a full horn section and some thumping rhythms.

Key tracks – Burn it Down, The Teams that Meet in Caffs, Seven Days Too Long.

Talking Heads – Stop Making Sense – 1984
This is the soundtrack to the great film from 1984, you know the one where David Byrne moves around the stage in an over sized suit? The music is good to, in fact I have always though Talking Heads music was so well suited to being played live and this album shows that. It is a pity they are no longer around today, as even now I am sure they would sell out arenas all over the world.

Key tracks – Girlfriend Is Better, Life During Wartime, Once in a Lifetime.

The Smiths – The Queen is Dead – 1986
Many people just think of The Smith as a singles band. But, in fact, they released some stunning albums and this one is their best. Lyrically and musically it is perfect, with Morrissey’s lyrical genius dotted throughout, while Marr’s guitar is as jangly as ever. An indie classic if ever there was one.

Key tracks – Frankly Mr Shankly, Big Mouth Strikes Again, There Is a Light That Never Goes Out.

Gipsy Kings – Gipsy Kings – 1987
These guys were part of the so-called world music explosion which began in the 80s. They play a style of Spanish rumba flamenco music of which during some stages of the album there are six Spanish guitars being played at once. An outstanding album to entertain to, to drink to, well… to do anything to. These guys brought Flamenco to the western masses and they did in style and indeed with passion.  

Key tracks – Bamboleo, Bem, Bem Maria, Djobi Djoba.

The Pogues – If I Should Fall from Grace with God – 1988
This is Celtic punk/folk at its raw best. McGowan is one of the most underrated songwriters of all time, while the instrumental talents of his fellow Pogues is undeniable and it shows on this fantastic album. This folk punk album was completely before its time and proceeded the various folk revivals which followed in its wake.

Key tracks – Turkish Song of the Damned, Lullaby of London, Fiesta.

New Order - Technique – 1989
This is synth pop/dance pop at its finest and New Order were pretty good at it. These songs on their own are good pop songs both melody-wise and lyrically, but when you add in the synths and the funky beats they also become perfect dance tracks. Part of a blueprint which would prove successful for future dance and house acts, and as an album helped contribute to the creation of entirely new genres within the dance scene. A great 80's album, as the sun set on the decade.

Key tracks – All the Way, Love Less, Guilty Partner. 

- Sam 

Monday, 2 February 2015

Style Council - Style Council: Gold (2006)


It’s always great I find when you discover that a band which you knew of turns out better than you first thought. I knew of several Style Council tracks “Shout to the Top” etc. and liked what I heard, while I have also been a big Jam and Paul Weller fan for a while, however his 80s project The Style Council had sort of passed me by, until now, and wow am I pleasantly surprised with what I have discovered.

When Paul Weller disbanded The Jam in 1982 he went on to form a new group The Style Council, a sort of jazz/R&B/pop hybrid, although some would term this fusion style of music sophisti-pop, quite ludicrously. In actual fact, with this project, Weller, the lead singer/songwriter and guitarist was exploring news sounds and styles which fell outside the punk-rock, mod revival limitations of his previous band The Jam. So there was a lot more emphasis placed on soulful melodies and rhythms. Weller would be complimented in this new group by Mick Talbot on keyboards and Hammond organ, Steve White on drums, and Dee C. Lee on backing vocals. The band went on to record some very good and stylistically interesting albums in the mid-80s, with the two stand out records being CafĂ© Bleu in 1984 as well as Our Favourite Shop in 1985. Weller would also use this project to continue with some of the socio-economic and political themes he explored in his song writing with The Jam, using it as an outlet to criticise Thatcher’s Britain and other issues such as racism and sexism. This was seen in songs such as “A Stones Throw Away”, and “Walls Come Tumbling Down”.

So, like with any band you are discovering for the first time, you often turn to compilations to get a snapshot or overview of their work, just to test the waters so to speak. Thankfully, I found this great two disc compilation The Style Council: Gold and as far as compilations go, this one is fantastic and does a great job in highlighting the stylistic diversity of the band across two discs. There’s the soul of “You’re the Best Thing” and “Headstart for Happiness”, the R&B of “Speak Like a Child” and “Our Favourite Shop”, the jazz of “Have You Ever Had It Blue” and the dance/house sound of “Promised Land”.


Although The Style Council did not have overly significant commercial success compared to some of their more successful contemporaries, they were a highly creative and stylistically interesting group, and were quite different from what else was going on at the time musically. You could not exactly pigeon hole them into one single genre and they were not scared at all to experiment with different sounds, as evident with their foray in to house music later in the decade. The band disbanded in 1989 and Weller went on to have a very successful solo career, but one thing is sure, and that is that they certainly made a splash with their creative pursuits in the mid-80s, bringing in different styles of music which might otherwise may have been left behind as the 80s forged ahead with new wave and synth pop. The Style Council are definitely worth checking out, if anything to show that there was more to the 80s than just drum machines and synths and that bands were still willing to take musical risks at a time when safe often seemed the way to go. 

A

- Sam