Showing posts with label Gil Scott-Heron. Show all posts
Showing posts with label Gil Scott-Heron. Show all posts

Tuesday, 1 March 2016

Anniversary Albums: Edition Four - Gil Scott-Heron "Pieces of a Man"


This week on Anniversary Albums we are taking a look at the debut studio album from the amazing New York singer and poet Gil Scott-Heron, "Pieces of a Man".

Released in 1971, Pieces of a Man was a new musical direction for Scott-Heron whose previous work was largely spoken word.
The songs on this album, apart from a couple of exceptions were recorded largely in a more conventional song structure.
It was also his first collaboration with multi-instrumentalist Brian Jackson who he would form a long-standing musical partnership with.


Musically, the material for this album is very much rooted in jazz, soul, and blues. The songs are characterized by quite a mellow instrumentation with electric piano and guitar the driving forces, while on occasion some free jazz arrangements and solos appear.
The songs also tend to feature quite soulful vocals from Scott-Heron as he showcases his singing ability, pushing his vocals to the fore.



Pieces of a Man was not a commercial success and received very little critical attention at the time. However, it has since gone on to become a universally acclaimed record. It has garnered massive retrospective critical praise, with many acknowledging its influence on fusing difference genres together such as jazz, soul, funk and proto-rap.
It also inevitably had a massive influence on genres such as hip hop and neo-soul, something that was largely due to the fusing of different genres in the music, as well as Scott-Herons lyrical artistry and political and social awareness across the album.


The albums legacy was also undoubtedly enhanced by the opening track “The Revolution Will Not Be Televised”, a political spoken word track that some say was the first ever rap song.
However, Scott-Heron himself was critical of the over-inflation of “Revolution” compared to the other tracks on the record . He said “Revolution” ended up overshadowing the other material on the album leading to other songs being heard less as a result.


- Sam 

Sunday, 14 July 2013

Gil Scott-Heron - Save The Children (1971)



Gil Scott-Heron - Pieces of a Man (1971)



For a long time I had heard of Gil Scott-Heron, and was aware of the influence he had on the development of hip-hop with politicised spoken word songs such as “The Revolution Will Not Be Televised”. So with this in mind I went in to the listening of his seminal 1971 release Pieces of a Man thinking of hearing a spoken word literary masterpiece, but was pleasantly surprised at what greeted me in the form of a chill out jazz-soul album. It is fair to say I was not expecting this considering his reputation as a spoken word poet, but apart from the opening track, the influential “The Revolution Will Not Be Televised” this is an album largely free of spoken word tracks and instead is a musical fusion of jazz, blues and soul, and boy is it good.

Scott-Heron’s fusion of these styles is something he referred to as “bluesology”, or the science of how things feel, and on Pieces of a Man he combines politically and socially charged lyrics with free spirited jazz arrangements and soulful vocals. The sound on the album is characterised by a largely mellow instrumentation with jazzy-funk guitar, floating electric piano, a tight rhythm section, and sexy sax. There is even a wonderful addition in the form of the flute, which gives the songs a lighter touch to their sometimes dark subject matter, while also acting as a counter to Scott-Heron’s deep soulful vocals. The songs themselves are quite loose both in terms of the vocals and the playing, with free jazz arrangements combining nicely with Scott-Heron’s vocals in allowing the subject matter of the lyrics to come to the surface. The loose nature of the instrumental backing also ensures that often Scott-Heron sounds as if he is singing a capella, with his vocals floating seamlessly on top of the backing track. This loose feel is at play across the album but is most evident on songs such as “Save the Children”, “Lady Day and John Coltrane” and “When You Are Who You Are”, some of the highlights of the album for me song wise.

Although the album was not a commercial success, it has since gone on to garner a very strong legacy and gain a reputation as being a masterful and influential work. The albums influence has especially been seen on the dance, hip-hop, and neo-soul genres, in particular how Scott-Heron blended together different styles of music something that at the time was quite original but would become more and more common throughout the 1970s. Mixing, sampling, spoken word, and loose free jazz instrumentation are just some of the things that were later influenced by Scott-Heron and that would form the basis of the music of many artists from other genres following this albums release.

Pieces of a Man is a very good album and is great for chill out listening all year round. It is an enjoyable listen especially the loose jazz-soul playing on display, and from my perspective is a comforting album that has the effect of warming the soul. Well worth a listen.
 
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- Sam